I don’t live in the past—I only visit—and so can you!


For the past few days, I have concentrated on making clothlets. Gary Golding, a fellow Regia member, former society AO and an earnest scrivener, has been working on his scrivening outfit during Quarantine. And he has greatly inspired me. I had most of the tools he mentions, but I have gotten some new ones and am intending on getting or making some more.

One of the things are clothlets, which are linen patches that have been dipped in various dyes and dried, repeating the process a dozen times. To use them, they are then cut into small pieces and soaked in water (and alum or vinegar) and gum arabic for about 24 hours. The result ca be used as a wash. It was suggested in a later source that they be stored in a book and out of the damp. There is no indication how long they were good.

Gary started with three colors; he’s made several more, using methods he learned from Theophilus and from the Mappae Clavicula. He notes he will probably make more, and I know how he feels. For the most part, they will be on display and not used.

I had bought some dyestuffs for my wife, when she was making some dyes. She quickly lost interest, so I just had it. I was able to use the colors for making my clothlets: welt (yellow), woad (blue) and madder (red). I’ll probably make at least one more.

It was the first time I did dyeing, so I probably didn’t do it as well as I should. The smells were informative; welt was sweetish, woad was sourish and madder was basically neutral. And linen does take natural dyes very well, so e results are not the even dye that you get from dyeing wool. And, of course, with more practice, I would no doubt do better. But it was fun, will make a great display and might even be useful if I decide to ry to use them!

I was inspired to make a new book, incorporating various essays, both borrowed and newly written. The books are not for sale and are useful for keeping the DIY information at hand. I made certain that there were several blank pages, which will be used to store the clothlets.

My scrivening setup, of course, had more than the clothlets. I already had ink wells, pens (quill and reed), scraping knife, a leather penner and much more. Inspired by Gary, I made up a way of storing them for work, and I made a small desk with holes for holding tools. I also have a DIY setup that has the ingredients for making iron gall ink, and supply of parchment. Actually small scraps of parchment or vellum that I bought from a parchment maker; they are the results of various projects he did. I have had the ink and pens available for MoPs to use to make little keepsakes for themselves at events, and the other tools as well. The scrivening set will no doubt get larger; in many ways, Gary and I are very similar!

At the beginning of the book, I include a poem by Colmcille the Scribe that was translate by Seamus Heaney. I describes ascribe’s life perfectly and says

My hand is cramped from penwork.
My quill has a tapered point.
Its bird-mouth issues a blue-dark
Beetle-spark of ink.

Wisdom keeps welling in streams
From my fine-drawn, sallow hand:
Riverrun on the vellum
of ink from green-skinned holly.

My small runny pen keeps going
Through books, through thick and thin
To enrich the scholars’ holdings:
penwork that cramps my hand.

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