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MICEL FOLCLAND BIBLIOGRAPHY VIa

Working on a new version of the bibliography and sharing it here. These books are recommended—or warned against—by members of the group and other medievalists. Please write with any additions you suggest!

Fagan, Brian. The Great Warming
A follow-up to The Little Ice Age, excellently written and dealing with the climate optimum. Only two chapter really deal with Britain, but these chapters should not be missed!

Fagan, Brian. The Little Ice Age
Although dealing primarily with 1300–1850, it also sets up the preceding warm era.

Feuerlichte, Roberta Strauss. Vikings (World Around Us)
Gloriously farbily illustrated graphic examine of Norse culture during the Viking Age, with illustrations by such noted comic artists as George Evans, Sam Glanzman, Gray Morrow, Norman Nodel and Angelo Torres.

Ferguson, Robert. The Vikings
A general study of Norse life during the Viking Age, incorporating the most current resources.

Fischer, David Hackett. Historians Fallacies
I cannot recommend this book enough. Just a cursory glance will change the way any reader looks at sources, historians and logic.

FitzHugh, William W. and Elizabeth I. Ward (eds.). Vikings: The North Atlantic Saga
A series of articles on aspects of Viking territorial expansionism, with appendices on representations of Vikings in popular culture and Viking reenacting, among other subject. Based on the traveling museum exhibit.

Frossier, Robert. (Translated by Lydia G. Chochrane). The Axe and the Oath: Ordinary Life in the Middle Ages
One might think from the subtitle that this would be an ideal book to read for living history that tries to re-create ordinary everyday life. That person would be wrong. The book is rambling, arrogant, defensive, undisciplined with nothing to back up the author’s assertions that people just never changed. What is worse, besides a lack of any provenance for the author’s statements, there are absolutely no citations, no bibliography, no index and no illustrations. Popular history should not be this unpopular.

Gabriele, Matthew and David M. Perry. The Bright Ages: A New History of Medieval Europe.
A general history of what has been called the Dark Ages, pointing out the irony of that term and with a good collection of humor. People who dislike the term “Dark Ages” assert that it will become standard popular history.

Girouard, Mark. The Return to Camelot: Chivalry and the English Gentleman
Account on the Victorian medieval revival inspired by such writers as Scott, events as the Eglinton tourney and other aspects of popular culture, until its doom in the First Worl War.

Graham-Campbell, James. The Vikings: The British Museum, London
Catalog for a museum exhibits containing high-quality shots of artifacts.

Hadley. D. M. And Letty ten Harbel. Everyday Life in Viking-Age Towns
An examination and study of Norse communities in England and Ireland from 800–110.

Hall, Richard. Book of Viking Age York (English Heritage)
Informative and illustrated book written by the late director of the York Archaeological Trust.

Harty, Kevin. The Vikings on Film
Not currently up to date but very interesting.

Haywood, John. Encyclopedia of the Viking Age
A good collection of essays on the era.

Haywood, John. Viking: The Norse Warrior’s [Unofficial] Manual
A light-hearted but informative book that features contributions from Kim Siddorn and other Regia folk.

Higham, Nicholas. The Anglo-Saxon World
A good overview of early medieval England.

Holman, Katherine. Historical Dictionary of the Vikings
Good collection of entries on the era.

Holman, Katherine. The Northern Conquest: Vikings in Britain and Ireland
Up to date overview of Anglo-Scandinavian and Hiberno-Scandinavian relations. Very illuminating.

Howarth, David. 1066: The Year of the Conquest
Gloriously opinionated book that also covers everyday life in pre-Conquest Britain.

Hunawalt, Barbara A. The Ties That Bound: Peasant Families in Medieval England
Strictly speaking, outside the realm of Regia, but a peasant’s lifestyle remained the same for centuries. An entertaining and unique examination of common folk in the Middle Ages, relying to a great extent upon coroners’ roll. Sometimes macabre but always illuminating. Recommended.

Ingstad, Helge. Westward to Vinland: the Discovery of Pre-Columbian Norse House-sites in North America
Popularized account of the excavations at L’Ans aux Meadows done by the co-founder of the site.

James, Peter and Nick Thorpe. Ancient Inventions
A collection of inventions or innovations, how they were discovered and how much earlier they existed than commonly supposed.

Janaga, Eleanor and Neil Max Ennanuel. The Middle Ages: A Graphic History.
An amusing illustrated look at all of medieval history. Not a comic book.

Jarman, Cat. River Kings.
A history of the Norse concentrating on new discovers, interpretations and the Silk Road.

Jochens, Jenny. Women in Old Norse Society
Fine examination of the role of women in Norse society.

Johnston, Ruth A. All Things Medieval: An Encyclopedia of the Medieval World (2 Volume Set)
A compendium of articles, perhaps geared toward younger readers, tt deal with a good many subjects of interest to persons examining the Middle Ages.

Jones, Gwyn. The History of the Vikings
Well written overview of the Norse culture of the Viking Age.

Jones, Terry. Terry Jones’ Barbarians
Strictly speaking not our period but a very illuminating look at maligned peoples. From the television series.

Kolofny, Annette. In Search of First Contact
An innovative and opinionated look at the Norse in North America with great emphasis on the natives.

Koenigsberger. Medieval Europe, 400-1500
This is a real winner.

Labarge, Margaret Wade. Small Sound of the Trumpet
On medieval women.

Lacey, Robert and Danny Danziger. The Year 1000: What Life Was Like at the Turn of the First Millennium
Not really a cautionary tale comparing the turn of the First Millennium with the then-upcoming turn of the Second, but a good look at everyday life using the Julius Work Calendar as the internal theme. Dealing specifically with England.

Leahy, Kevin. Anglo-Saxon Crafts: Revealing History
This accessible volume addresses different crafts practiced by the Anglo-Saxons, including woodworking, leatherworking, pottery and textiles. Looking at surviving artifacts, Leahy comments on construction and technology.

MICEL FOLCLAND BIBLIOGRAPHY VI

Working on a new version of the bibliography and sharing it here. These books are recommended—or warned against—by members of the group and other medievalists. Please write with any additions you suggest!

GENERAL

Al-Amin, Nashid. True Myth: Black Vikings of The Middle Ages
Controversial book that many Aryanists will froth over, but he makes quite a few good points that academic have tended to ignore and to overlook.

Alexander, Caroline. Lost Gold of the Dark Ages: War, Treasure, and the Mystery of the Saxons
A table featuring many excellent photographs of items from the Staffordshire Hoard, along with historical background.

Allison, David B. Living History.
Small and informative book on living history at living-history sites and museums.

Almgren, Bertil (editor). The Viking
Large-format and heavily illustrated coffee-table book that tells a lot about Viking culture and how certain things—for example, the loom and the turtle broaches—were accomplished. Expensive and outdated in some areas, but well worth it if you have an interest in things Norse and are willing to check on statements.

Anderson, Gunnar (editor), Vikings: Beyond the Legend
Color photos from te 2014–2015 Viking Exhibit when it appeared in Australia.

Anderson, Jay. Time Machines: The World of Living History
The seminal work about living history in all its aspects. The chapter on the SCA is “Princes Valiant.”

Aries, Philippe and Georges Duby (eds.). A History of Private Life Vol. II
Good book for an understanding of medieval times and people. Good pictures

Aston, Michael. Interpreting the English Village: Landscape and Community at Shapwick, Somerset
A detailed look at a single community through the ages.

Baker, Alan. The Viking
A modern and imaginative interpretation of Viking culture that harkens back to the worst Victorian romanticism. No notes, no real bibliography (just a list of other secondary and tertiary sources). AVOID!

Baldwin, John W. The Scholastic Culture of the Middle Ages, 1000-1300
Deals with the end of Regia’s period. On Stephen Silver’s Medieval Universities Bibliography.

Bjarnason, Egil. How Iceland Changed the World.
A popular history of Iceland, unfortunately with no references.

Boswell, John. The Kindness of Strangers: The Abandonment of Children in Western Europe from Late Antiquity to the Renaissance
This book is not nearly as grim as the title suggests. The author argues that abandonment usually did not mean death, that children who could not be supported in one family usually found their way into families who wanted and needed them. Extraordinarily well written.

Boswell, John. Same Sex Unions in Premodern Europe
Well-documented, gay-friendly (Boswell was gay and died of AIDS) recounting of hushed-up tolerance of earlier Christianity.

Brehaut, Ernest (Trans.). An Encyclopedist of the Dark Ages
On Stephen Silver’s Medieval Universities Bibliography.

Brink. Stefan. The Viking World (Routledge Worlds)
A fine collection that looks at artifats from and everyday life in Viking-Age Scandinavia.

Brown, Nancy Marie. Song of the Vikings: Snorri and the Making of Norse Myths
Innovative book that examines the non-period Snorri Sturlusson, who wrote and probably invented tales of Norse mythology.

Byock, Jesse. Viking Age Iceland
An intensely vibrant and interesting view of Icelandic culture during the Free State

Cahill, Thomas. How the Irish Saved Civilization—The Untold Story of Ireland’s Heroic Role from the Fall of Rome to the Rise of Medieval Europe
A look at the Irish preservation of books during the early Middle Ages.

Campbell, Gordon. Norse America: The Story of a Founding Myth.
A frustrating look at Norse settlement of the New World. Not recommended at all.

Crawford, Sally. Childhood in Anglo-Saxon England
A recommended book on how children were treated and acted in Anglo-Saxon England.

Grollemood, Larissa, and Bryan Keene. The Fantasy of the Middle Ages.
A publication of the J. Paul Getty Museum dealing with medieval fantasy in popular culture. More concerned with knights and damsels rather than Norse aspects. It does deal with medievalesque LARPs and Rennaissance Fairs.

Crawford, Sally. Daily Life in Anglo-Saxon England
An outstanding book dealing mainly with the physical culture, drawing on the latest research. Great, even if it gives the Regia site as regis.com! One of Greenwood’s excellent “Daily Life Through History” series.

Deary, Terry. Gruesome Guides: York (Horrible Histories).
The Horrible Histories series are written for younger readers but are always informative and fun. This one is a history of the central city of the Danelaw.

Deary, Terry. The Smashing Saxons (Horrible Histories)
The Horrible Histories series are written for younger readers but are always informative and fun. This one covers Anglo-Saxon culture.

Deary, Terry. The Vicious Vikings (Horrible Histories)
The Horrible Histories series are written for younger readers but are always informative and fun. This one deals with Norse culture.

Du Chaillu, Paul. The Viking Age (2 volumes)
Early but profusely illustrated overview of Norse culture that is pertinent still today.

Dyer, Christopher, Making a Living in the Middle Ages: The People of Britain 850-1520
A good book on everyday life, but it unfortunately covers such a wide period of time that it is often cursory. Nevertheless, a good place to start.

Erdoes, Richard, A.D. 1000: Living on the Brink of Apocalypse
At first glance, yet another book about the turn of the First Millennium, but actually written some twelve years before and brought back into print for the Y2K scare. The subtitle pretty much describes the theme of the book.

MICEL FOLCLAND BIBLIOGRAPHY V

Working on a new version of the bibliography and sharing it here. These books are recommended—or warned against—by members of the group and other medievalists. Please write with any additions you suggest!

COOKERY

Grewe, Rudolf (trans.) Libellus De Arte Coquinaria: An Early Northern Cookery Book
Four versions of the earliest cookbook since Classical times, not necessarily period for Regia, but probably from the twelfth century and closer to foods of the Viking Age than any other. Recipes are translated, not redacted.

Hagen, Anne. Anglo-Saxon Food & Drink
Irreplaceable volume dealing with foods known to be consumed by Anglo-Saxons prior to the Conquest, with notes on availability, uses and cooking methods. Invaluable.

Serra, Danzel, and Hanna Tunberg (editors). An Early Meal?: A Viking Age Cookbook & Culinary Guide
If you are in photography of food, an excellent collection of photographs, but only a mediocre collection of recipes and essays.

Tannahill, Reay. Food in History
An overview of culinary history. No recipes but plenty of information Often this can’t provide adequate coverage because there’s simply too much to cover.

Wilson, C. Anne. Food & Drink in Britain
If you want to know when and how ingredients or foods were first used, Wilson is the first place to look. Probably the most valuable reference book in English cooker.

COSTUMERY

Boucher, François. 20,000 Years of Fashion
A good overview of historical costuming, handicapped by its scope but containing a wealth of primary illustrations.

Brooks, Iris. Various titles
AVOID!

Burnham, D. Cut My Cote
Informative.

Crowfoot et al. Textiles and Clothing
For serious costume nuts.

Cunnington, Cecil Willett and Phillis. Handbook of English Medieval Costume
According to some historivcal costumers, Cunnington is the single most valuable source for costumery.

Ewing, Þor. Viking Costume
Overview of aspects of Norse clothing, drawing from earlier sources, archaeological investigation and the author’s own conclusions.

Gæsel, Nille. Viking.
A book dealing with garments of the Viking Age by a well-known expert with plenty of diagrams, patterns and illustrations. She designed costumes for the film, “The Northman.”

Norris, Herbert. Church Vestments: Their Origin and Development
Specialized look at ecclesiastical costume. A standard work with many patterns and illustrations. Because illustrations are redrawn from primary sources, care should be taken when using the book.

Norris, Herbert. Costume and Fashion: v 2—Senlac to Bosworth
Deals with the very end of the period covered by Regia. A standard work with many patterns and illustrations. Because illustrations are redrawn from primary sources, care should be taken when using the book.

Norris, Herbert. Costume and Fashion: v 1—Through the Earlier Ages
A standard work with many patterns and illustrations. Because illustrations are redrawn from primary sources, care should be taken when using the book.

Nurman, Britta, Carl Schulze and Torsten Verhulsdonk. The Vikings Recreated in Colour Photographs. Europa Militaria #16
Color photographs of Viking reenactors, a delightful hybrid of fact and supposition.

Rabiega, Kamil. Viking Dress Code.
Book on costuming using recent discoveries and plenty of illustrations.

Stergård, Else. Woven into the Earth: Textiles from Norse Greenland
Dealing with archaeological finds from Greenland, including the famed 14th-century gowns, it has a minimal direct association with Regia’s period but is incredibly fascinating nonetheless.

Owen-Crocker, Gail. Dress in Anglo-Saxon England, Second Edition
Excellent source on the details of Anglo-Saxon costume. Minimally useful as practical guide as most of the information is aimed at researching the entire kit. Highly recommended!

Volken, Marquita. Archaeological Footware.
Fairly complete look at footware of Europe. With timelines, photographs of extant shoes, patterns and much more. Very recommended!

Wagner, Eduard. Zoroslava Drobna and Jan Durdik. Medieval Costume, Armour and Weapons
Use this book with caution. It is mainly re-drawings from medieval manuscripts. A contemporary review of the original German book stated that the authors were obviously not costumers, so I would recommend using it only as a starting point.

Wilcox, Ruth Turner Wilcox. Various Titles
AVOID!

MICEL FOLCLAND BIBLIOGRAPHY IIII

Working on a new version of the bibliography and sharing it here. These books are recommended—or warned against—by members of the group and other medievalists. Please write with any additions you suggest!

BIOGRAPHY

Brown, Peter. Augustine of Hippo
One of Norman Cantor’s Short List.

Douglas, David Charles. William the Conqueror; the Norman Impact upon England
Biography of the Bastard.

Duckett, Eleanor Shipley. Alfred the Great
Biography of vastly over-estimated Anglo-Saxon monarch.

Lavelle, Ryan. Æthelred II: King of the English
Apologist, revisionist biography of one of the—if not the—worst of the English kings.

Lawson, M. K. Cnut: England’s Viking King
Biography of the Norseman who sat the English throne so well.

Walker, Ian W. Harold: The Last Anglo-Saxon King
Biography of the last Anglo-Saxon king.

Williams, Gareth. Eirik Bloodaxe
Biography of one of the early significant figures in the Danelaw.

BLACKSMITHING, WOODWORKING & PRACTICAL ARTS

Bealer, Alex W. The Art of Blacksmithing
Good beginning blacksmithing book—includes some armor and weapons making.

Chinnery, Victor. Oak Furniture: the British Tradition
Covers all types of furniture very well, though from a British, present in Britain, or affecting British furniture making perspective. This is an excellent work, profusely illustrated and footnoted, and the discussion reflects the best of modern scholarship and resources.

Diehl, Daniel. Constructing Medieval Furniture
A practical guide with historical notes.

Fleming, James Evans. The Blacksmith’s Source Book
Excellent bibliography on the history of Blacksmithing. Annotated source to 300 works.

McDonald, Fiona. Textiles: A History.
A handy and illustrated book dealing with histoical textiles and production.

Mercer, Eric. Furniture: 700-1700
An overview of the development of furniture, with many excellent illustrations, both from primary sources and of the pieces themselves.

Oates, Phyllis. The Story of Western Furniture
An overview of European furniture styles and usages.

Watkins, F. L. Age of Wood
A look at woodworking during the Viking age, including woods, tools and methods.

EYEGLASSES & REENACTING

Introduction

One of the most controversial parts of any serious living history endeavors are eyeglasses.

It is untrue that early man possessed no way to correct his eyesight. From ancient times, magnifying lenses—generally crystals or curved transparent goblets filled with water—were used to help with fine work, to start fires and to cauterize wounds. Workshops manufacturing these lenses have been found from Gotland to Constantinople. However, these were large, heavy, unwieldy and only minimally transportable. The modern concept of spectacles was invented in the later thirteenth century and, unlike many technological advances through the ages, was at once widely adopted. By 1290, only a few years after their development, spectacles were being praised as essential. In 1306, an anonymous monk wrote, “It is not yet twenty years since the art of making spectacles, one of the most useful arts on earth, was discovered. I, myself, have seen and conversed with the man who made them first.”

For post-13th-century eras in Western Europe, the use of simple frames and, in some cases, even often acceptable alternatives, even though critics noted that

A. Most spectacles are worn to correct near-sightedness, and those corrective lenses date only from the sixteenth century.

B. Even though early optics were often crystal and often tinted, hardly ever purely transparent, sunglasses were not invented until the eighteenth century. Any sunglasses—whether they are eyeglasses or even transitional eyeglasses—are immediately inappropriate.

C. Early spectacles were often difficult to wear because rigid ear pieces were invented in the eighteenth century and were kept on the face by unwieldy straps, races, ribbons, spring nose pieces and sometimes by balancing them on the nose itself. Sometimes, they were even kept on a stick or otherwise held up to the eyes.

C. Spectacles were a sign of old age and infirmity, and worn by many Europeans only in private.

D. Spectacles were a sign of learning and, in painting, often used as shorthand for portraying the subject as educated and literate. Unless there was a reason to brag about literacy—and this was scarcely so in pre-Industrial revolution Europe—there was no reason to make such an ostentatious display of the ability.

However, for persons portraying pre-thirteenth century eras, such as our own, even this controversial work-around is unavailable. A Viking wearing spectacles is comic and inappropriate. Although inappropriate eyeglasses have often been a part of burlesque and comedy, and although Robert Wooley’s black Harry Potter-like frames were hilarious in films such as Cockeyed Cavaliers, hopefully your intent is more educational and less humorous.

There are, however, ways to work around the problem.

Surgical Correction

One should never enter into any sort of surgery lightly. Before any non-emergency surgery, be certain that you exhaustively confer with your physicians! Laser eye surgery—commonly known as Lasik—and the implantation of permanent lenses are both available. The former is still expensive and probably not covered by most insurance. It is has not been around long enough that we know the long-term effects of Lasik, so no one knows how long the beneficial results may last or even long-term side effects. The implantation of lenses is usually to correct cataracts or other eye ailments and should not be approached lightly.

Contact Lenses

The most obvious remedy are contacts. Contact lenses, which are small corrective lenses that are placed directly upon the eye, convey the illusion of using no device at all. Since all good living history—with the exception of practical archaeology—is, at its base, illusion, this a very suitable remedy.

There are people who are familiar only with the more primitive forms of contact lenses—heavy, uncomfortable glass appliances that could only be worn by a short time—that were invented in the nineteenth century. They had become relatively comfortable to wear for short times by the 1930s and had attained great popularity by 1940s. Rigid plastic lenses became available at this time, and soft plastic lenses were developed into the 1960s, although they did not became commercially available until the 1970s.

These lenses all did not breath and could not be worn for extended periods of time. Disposable extended wear and gas-permeable lenses only became available in the 1980s and 1990s. A new generation of disposable, extended-wear gas-permeable lenses was introduced just before the turn of the millennium.

If you attempted without success to wear contact lenses prior to this time, see your optometrist for sample lenses. You might very well be surprised that your ancient prejudices were for naught.

Getting Accustomed to Going Without Eyeglasses

Most folk can go without spectacles. In an era with low rates of literacy and no way to correct them, people of our period were much less concerned about perfect eyesight than we are today. Continued reliance on corrective devices has in some cases weakened the eyes and has increased our reliance on spectacles for convenience and comfort. There is, however, a great distance between convenience and necessity.

Practicing going without spectacles should not start at an event. Do it first at home, and do not try to overdo it. Do not be too active at first, and stay away from dangerous activities. You might find that there are certain things you cannot do; please accept these limitations so that you do not endanger yourself or others. Reenacting should not be run by egos!

Hints for Going Without Spectacles

Much about living history is, to modern sensibilities, inconvenient and, perhaps, uncomfortable. However, if you are willing to compromise, you will find that it is not impossible! Here are a few hints for not using your eyeglasses at Regia events:

A. Realize that spectacles must be abandoned only during public hours within the confines of the ropeline. Outside, the use of spectacles are allowed, although you might find that continued use of no spectacles may make the transition more easy.

B. Before public hours begin, police the area in which you plan to stay to make certain there are no dangers that you will not see.

C. Find a pursuit that does not require good vision. These are pursuits to be practiced in public at events. You can. Of course, wear spectacles when practicing a craft in a non-public setting.

D. Move slowly without your spectacles. Even if you are accustomed to striding quickly about, you will find that taking your time is safer. After all, your ancestors did not have tv programs or soccer games to rush to!

E. Allow fellow reenactors to guide you about if necessary.

F. Use a walking stick to help walk around.

G. Be careful around weapons, tent stakes and fire!

H. Request—and expect—that you campmates will keep the area relatively clean of debris and dangers, even as you expect them not to leave unsheathed steel around!

I. Keep your spectacles convenient—I used to slide them up a sleeve—so that they are relatively accessible if you desperately need them.

J. Acquire a magnifying globe or crystal that is acceptable to the Authenticity Officer. It is presumed that these were also used as jewelry.

K. Put your spectacles on again when public hours are over or when leaving the ropeline. Some persons in your situation, however, prefer to go without spectacles whenever they are in period kit. As my wife said after a recent weekend event, “Oh, the green blobs have leaves…”

You will also often find that you have compensated so well that putting your spectacles back on after an extended period without will leave you slightly confused and dizzy.

Try it before rejecting the idea. You may find it easier to do than modern life has made you believe!

If Wearing No Spectacles Leave you Unsafe, Nauseous and Debilitated

If you are not capable of nor willing to go without spectacles and cannot otherwise correct your visual disabilities, and you will not abide by the limitations imposed, find another hobby. Don’t expect the whole hobby to change its principles for you.

MICEL FOLCLAND BIBLIOGRAPHY III

Working on a new version of the bibliography and sharing it here. These books are recommended—or warned against—by members of the group and other medievalists. Please write with any additions you suggest!

ART

Alexander, J. J. G. (ed.). Insular Manuscripts: 6th to the 9th Century
Vol. 1 of “Survey of Manuscripts Illuminated in the British Isles,” with an introduction, 354 illustrations and a detailed catalog.

Backhouse, Janet. The Lindisfarne Gospels
All major decorated pages and several representative canon and text pages, along with a comparison with other Celtic art.

Bain, George. Celtic Art: The Methods of Construction
Basic work on Celtic knotwork, keywork, etc, first published in 1951.

Bayeux Tapestry, The
A primary primary source. Available in various sizes and editions, both in color and monotone, the larger and more accurate a reproduction you can find, the better. Note that some persons decry using it for primary documentation, citing artistic liberties such as the color of horses. For the most part, it is easy to distinguish between what is a fairly faithful observation and artistic interpretation.

Benson, John H. & A. G. Carey. Elements of Lettering
Good book of history & technique for experienced calligraphers. Most scripts are illustrated with no further instruction. The Rotunda is beautiful.

Bouet, Pierre (editor). The Bayeux Tapestry: Embroidering the Facts of History
Series of essays from a conference on the Bayeux Embroidery, including points of how realistic details are, how colors and were attained and a set of photos from the back side. Available in English but only through French sources. If you have any interest in so many subjects, very recommended!

Bridgeford, Andrew. 1066: The Hidden History in the Bayeux Tapestry
Fascinating look at the Embroidery, explaining its techniques, meanings and history and why it’s not just an act of Norman propaganda.

Brown, Michele. The Lindisfarne Gospels: Society, Spirituality & the Scribe
An innovative book that sets the Lindisfarne Gospels into the context of artistic influences of the time.

Dodwell, C. R. Anglo-Saxon Art. A New Perspective
Hazel Uzzell notes: “The title is deceptive as it covers: Art survivals and written sources. Anglo-Saxon tastes. Artists and Craftsmen in Anglo-Saxon England. Painting and carving. Textiles. Costume and vestments. Jewellery, silver and gold. Anglo-Saxon Art and the Norman Conquest. In my opinion, it is one of the best books that I have read on the period.”

Drogin, Marc. Medieval Calligraphy: Its History and Techniques
A perfect balance of history and technique. Reproduces period examples and explains what to look for. Half the plates have transcriptions. Available in an inexpensive Dover reprint.

Ehrman, Bart D. Misquoting Jesus : the Story Behind Who Changed the Bible and Why
Ostensibly about the Bible, religion and changes in scripture caused by a variety of sources, what it says about professional scribes and details of copying manuscripts is both useful and interesting.

Fox, Michael, and Stephen R. Reimer. Mappae Mundi: Representing the World and its Inhabitants in Texts, Maps, and Images in Medieval and Early Modern Europe
Overview of mapmaking with many color illustrations, though none of the maps themselves.

Graham-Campbell, James. Viking Art (World of Art)
An excellent collection of artwork of various kinds from the Viking Age.

Henry, Francoise (ed.). The Book of Kells: Reproductions
Coffee-table book in a slipcase, with color plates reproducing major illuminations, followed by an historical article.

Jackson, Eleanor. The Lindisfarne Gospels: Art, History and Inspiration.

A small but beautifully printed book on the Lindisfarne Gospels, dealing glosses among other things.

Johnston, Edward. Writing & Illuminating & Lettering
The first and one of the most consistently revered “bibles” of the art.

Lovett, Patricia. The Art and History of Calligraphy
A clear, well-illustrated book on calligraphy and manuscripts with a very interesting section on production of a manuscript. It dealswith a good many eras.

McKendrick, Scot and Kathleen Doyle. The Art of the Bible: Illuminated Manuscripts from the Medieval World
Period and non-period facsimiles of pages from mediaeval manuscripts, including marvelously detailed pages from the Harley Psalter. Large and wonderfully reproduced pages.

Nordenfalk, Carl. Celtic and Anglo-Saxon Painting
Introductory article on book illumination in the British Isles during the 7th through 9th centuries, with color plates and commentary.

Page, R. I. Runes (Reading the Past)
Easily read and not new agey

Pollington, Stephen. Rudiments of Runelore
Good, brief introduction to the Fuþark by a man who helped name our group.

Shepherd, Margaret. Learning Calligraphy
The book I recommend to all beginners. Only five alphabets are studied, but each is examined in depth.

Svaren, Jacqueline. Written Letters: 22 Alphabets for Calligraphers
Little basic instruction, but graceful, accurate interpretations of modern and historical scripts.

Temple, Elzibeta. Anglo-Saxon Manuscripts, 900-1066
Vol. 2 of “Survey of Manuscripts Illuminated in the British Isles,” with a short introduction, 370 illustrations and a detailed catalog of 106 manuscripts.

Thornbury, Emily V. Becoming a Poet in Anglo-Saxon England
An intriguing and informative examination of Latin and English Poetry from the early middle ages, with many samples and examples.

Watson, Aldren A. Hand Bookbinding: A Manual of Instruction
A good book. The illustrations are so clear you almost don’t have to read the text.

Webster, Leslie. Anglo-Saxon Art
Profusely illustrated of artwork from Anglo-Saxon England, including items from the Staffordshire Hoard.

Weitzmann, Kurt. Late Antique and Early Christian Book Illumination
Survey. This period had mostly pictorial instead of abstract decoration.

Whalley, Joyce Irene. The Student’s Guide to Western Calligraphy
The emphasis is on script, but there are examples of simple illumination.

MICEL FOLCLAND BIBLIOGRAPHY II

Working on a new version of the bibliography and sharing it here. These books are recommended—or warned against—by members of the group and other medievalists. Please write with any additions you suggest!

ARMS & ARMOR

Dickinson, Tania. Early Anglo-Saxon Shields (Archaeologia)
A slim but effective overview of the construction methods of Aglo-Saxon shields.

Heath, Ian. Illustrated by Angus McBride. The Vikings (Osprey Elite 3)
A sample of the British-written Elite series, which are larger and more specific books than the companion Man-At-Arms series. They are designed for gamers and modelers, not scholars, and feature neither notes nor bibliography. Still, they are good introductions, on a vast range of subjects.

Hjardar, Kim, and Vegard Vike (Translated by Frank Stewart). Vikings at War.
A recent translation of a Norwegian book and has many excellent pictures.

Peirce, Ian. Swords of the Viking Age
Profusely illustrated and exhaustive list of swords from the Viking Age.

Pollington, Stephen. The English Warrior from Earliest Times till 1066
Any book by Pollington is fabulous. He writes well and in a satisfying manner, answering your questions and not just (as it were) talking to hear himself talk. This volume has a glossary and fabulous illustrations. It is fascinating and educational reading even if large portions deal with periods that are pre-period for us.

Short, William. Viking Weapons and Combat Techniques
Book by the leader of Hurstwic, who bases his text not only on artifacts but on the Icelandic sagas and oop manuals.

Siddorn, Kim. Viking Weapons and Warfare
Authoritative book by Regia’s founder, with many photographs of Regia events as well.

Wise, Terence. Illustrated by G. A. Embleton. Saxon, Viking and Norman (Osprey Men-at-Arms 85)
A sample of the extensive, British-written Man-at-Arms series. They are designed for gamers and modelers, not scholars, and feature neither notes nor bibliography. Still, they are good introductions, on a vast range of subjects. This volume covers Regia’s period well.

MICEL FOLCLAND BIBLIOGRAPHY I

Working on a new version of the bibliography and sharing it here. These books are recommended—or warned against—by members of the group and other medievalists. Please write with any additions you suggest!


ARCHAEOLOGY


Adkins, Lesley, Roy Adkins and Victoria Leitch. The Handbook of British Archaeology.
Fascinating collection of essays and articles about methods of British archaeology. Originally published more than quarter century ago, this completely revised and updated edition is packed with the latest information and now includes the most recent developments in archaeological science and every section has been extensively updated by a team of experts.


Arwidsson, Greta. The Mästermyr Find: A Viking Age Tool Chest from Gotland
Informative and well-illustrated volume on the famous Mästermyr tool find.


Aspects of Saxon and Norman London: Finds and Environmental Evidence (London & Middlesex Archaeological Society Special Paper)
Profusely illustrated examination of London in the Early Middle Ages.


Carver. Martin. The Sutton Hoo Story: Encounters with Early England
Earlier than our period, but fascinating look at the Sutton Hoo find, with text, photos of the discovery, illustrations of the artifacts and photographs as well.


Comey, Martin G. Coopers and Coopering in Viking Age Dublin.
Line illustrations of cups and other interesting wooden objects from the Hiberno-Scandinavian culture.


Dobney K. M., D. Jaques, James Barrett and Cluny Johnstone. Farmers, Monks and Aristocrats: The Environmental Archaeology of Anglo-Saxon Flixborough
Excellent collection of essays on various types of environmentally-oriented artefacts found at Flixborough.


Evan, D. H. And Christopher Loveluck. Life and Economy at Early Medieval Flixborough, c. AD 600-1000
Excellent collection of essays on various types of artefacts found at Flixborough.


Fanning, Thomas. Viking Age Ringed Pins from Dublin.
Line illustrations of pins from the Hiberno-Scandinavian culture.


Hall, Richard. Viking Age Archaeology (Shire Archaeology)
Brief but profusely illustrated Shire publication written by the late director of the York Archaeological Trust.


Hammond, Brett. British Artefacts: Late Saxon, Late Viking & Norman
Nice collection of illustrations.


Hodges. Richard. Goodbye to the Vikings? Re-reading Early Medieval Archaeology
Collection of interesting articles.


MacGregor, Arthur. Craft, Industry and Everyday Life : Bone, Antler, Ivory and Horn from Anglo-Scandinavian and Medieval York
One of the profusely illustrated, phenomenal books from the York Archaeological Trust, showing finds from excavations in York, plans and small essays on the craft. This one features antler, bone, horn and ivory work.


Mainman, A. J. Anglo-Scandinavian Pottery from 16-22 Coppergate (CBA Research Reports) (Vol 16)
Profusely illustrated examination of pottery work from the York Archaeological Trust.


Mainman, A. J. and N.S.H. Rogers. Craft, Industry and Everyday Life: the Small Finds from Anglo-Scandinavian York
One of the profusely illustrated, phenomenal books from the York Archaeological Trust, showing finds from excavations in York, plans and small essays on the craft. This one features miscellaneous finds.


Morris, Carole A. Craft, Industry and Everyday Life: Wood and Woodworking in Anglo-Scandinavian and Medieval York
One of the profusely illustrated, phenomenal books from the York Archaeological Trust, showing finds from excavations in York, plans and small essays on the craft. This one features wood work.


Mould, Quita. Craft, Industry and Everyday Life: Leather and Leatherworking in Anglo-Scandinavian and Medieval York
One of the profusely illustrated, phenomenal books from the York Archaeological Trust, showing finds from excavations in York, plans and small essays on the craft. This one features leather work.


Ottaway, Patrick. Anglo-Scandinavian Ironwork from 16-22 Coppergate, York: c.850-1100 A.D
One of the profusely illustrated, phenomenal books from the York Archaeological Trust, showing finds from excavations in York, plans and small essays on the craft. This one features ferrous work.


Rizzoli (editor). From Viking to Crusader: The Scandinavians and Europe, 800-1200
A museum catalog that offers an extensive number of black-and-white photos of the exhibited items, along with essays and wonderful color photos. Out of print and hardly likely to be brought back into print, copies are expensive when available.


Rogers, Walton. Textiles, Cordage and Raw Fibre from 16-22 Coppergate (The Archaeology of York)
One of the profusely illustrated, phenomenal books from the York Archaeological Trust, showing finds from excavations in York, plans and small essays on the craft. This one features textile production.


Rogers, Walton. Textile Production at 16-22 Coppergate (The Archaeology of York: The Small Finds)
One of the profusely illustrated, phenomenal books from the York Archaeological Trust, showing finds from excavations in York, plans and small essays on the craft. This one features textile production.


Schietzel, Kurt. Spurensuche Haithabu
German language examination of artifgacts from hedeby, with marvelous line illustrations and photographs. An English translation is planned.

A REENACTOR WITHOUT AN OPINION IS LIKE A VIKING ON A BICYCLE

I first published this nearly twenty years agom but it is still amusing and pertunent…

The past was not safe. There was a reason that the average life expectancy was so low.

There were no regulations to ensure your safety. There were no guard rails. No warning label on swords (This Sword May Be Dangerous to your Health.) No nutrition sticker on the skyr you drank this morning. You were on your own, and you learned how to avoid dying or…well, you didn’t. See above about the average life expectancy.

People took responsibility for their own actions and probably kept an eye out for someone who would have torn that warning sticker off the sword.

Nowadays, we don’t. We take it for granted that if we do this, we take that or we wear this that we will live forever. People expect that they will be protected. Anything that might remotely be unsafe is not good, and all too many people justify an action by cloaking it in safety concerns, and there is probably a coterie of lawyers somewhere sending their kids through college by writing safety regulations. Many of these safely regulations are good. Others protect the lowest common denominator. Not all safety legislation and guidelines are foolish or superfluous, and I am certain not in favor of removing all such protection, but in many cases, they become absurd. What is needed is common sense and to tell when the accuracy of something must be compromised for safety concerns.

If today’s safety specialists had their way back then, when a Norse rode a bicycle into combat, he’d have had to wear a bike helmet and just paint the horns on the side. Now you might say that Norse never wore horned helmets, but then bicycle crash helmets had never been invented during the Viking Age and even the most rudimentary bicycles themselves were undreamt of. But let’s use bicycles and bicycle helmets in this essay.

Accuracy

Obviously, if you want any sort of accuracy, you would not use bicycles in your Viking-Age reenactment. Not even if you “disguise” it, so that it looks like a horse, or a goat, or a dragon, or anything else. What it will end up looking like will be a fairly nice variable speed Huffy with a furry blanket over it. Not exactly how you want to educate the tourists.

The bicycle did not exist. One can rant about thinking outside the box all her wants, but the fact that you can’t find proof that the Norse-Cycle didn’t exist—you’ll never find, “Olaf went off to the Fjords on his Huffy, so some people might affirm to some people that means that he might have had a bicycle. He didn’t. A person putting forth that theory is wrong. Misguided perhaps or stupid perhaps but wrong definitely. An Oseberg bicycle was not found, and bicycles weren’t sunk in that fjord by Roskilde and even Lee Majors didn’t ride a bicycle in The Norsemen. I don’t care. You can sort through Norse graves until Doomsday (some time in the eleventh century, I believe), you could squint at all the runestones you wanted to and you could read any translation of the Sagas you want, and you will not find a bicycle. The bicycle did not exist. Take a deep breath, and repeat after me: The-Bicycle-Did-Not-Exist.

Bicycles aren’t the only thing that the revisionist history and retro-documentation wants to believe exist. But unless you have a clear, uncomplicated description or proven artifact or some other unimpeachable authority, it did not exist. Washing does not make it so, believing crackpot theories does not make it so and finding something that looks like it if you squint at it from five miles off in the dark while wearing your Uncle Joel’s glasses does not make it so. Go try to make a good reproduction of one of the many Norse artefacts that do exist and quit wasting your time and everyone else’s by trying to prove that your fifth-grade art project was real.

Safety

Let’s forget the fact that bicycle helmets are as anachronistic as the bicycles. Without bicycles, bicycle helmets just would be superfluous. It’s much the same as if you had a grizyk helmet today, when gryziks won’t be invented for another 240 years. You could have chariot helmets or maybe waggon helmets or maybe horsie helmets. But they didn’t. Remember all those Frederick Remington paintings of cowboys wearing horsie helmets astride their cow ponies. I don’t either.
Considering the modern state of litigation, as well as the safety first mind set, common sense seldom comes into the equation in modern reenactment. There will always been risks that you have to take in order to do something. Just leaving the house can be dangerous. You might be struck by a bus, have a heart attack while walking down the street or be hit on the head by the remnants of a meteor. Chances are, though, that no dire thing will happen. You have to balance the possibility of harm with the probability.

However, most of what we deem safety issues are convenience issues. Wearing comfy shoes is a comfort issue to most persons. So is wearing spectacles, modern jewelry or that great bleeding goat in a pentangle that you got at the naked pagan fest. Do the benefits outweigh the compromises? Does it give an miseducational or unrealistic spin on history? Does it conflict with the established regulations of the group or the site? Is it a genuine safety concern, or is that just a rationale to retain comfort?

Most safety concerns, such as horsie helmets, must be carefully studied and examined with common sense. Only if a practice is, after due reflection, suitably unsafe to require a compromise should that compromise be made.

Compromise

Let’s say that there is a nearby reenctment. You ride a bicycle to it. You wear a bicycle helmet. But when you get to the event, keep the bicycle out of the living-history areas. Quite obviously, most people will have to use a bicycle, or some form of modern transportation, to get to a reenactment. That does not invalidate the historical concerns. It is a compromise that you have to make, and there are other compromises which you must make almost without thinking.
Safety is paramount in this hobby, if for no other reason than a preventable injury in such a controversial and ill-understood hobby would be disastrous. A pr nightmare even if it did not involve legal action. There are hard and fast rules about safety. Compromises are made all the time without us even thinking about them. No one—well, no reasonable person—will fault you for opting out of complete and total accuracy. Firepits are kept well away from the public behind ropelines although ropelines are hard accurate. In rebated steel combat, you hardly ever see a combatant bragging to a buddy how sharp his seax is or, for that instant, a Civil War reenactment that uses live rounds. There are hardly any groups that force you to butcher your own meat at the show, and even fewer make certain there are weevils in the bread. You don’t have to wear lead make-up if you’re Elizabethan, eat off lead pewter if you’re colonial or rip out fillings or inject yourself with some exotic infection. Compromise, as I noted, is common sense. Use it.
And be certain that you ride a bike to use wingas!

RELIGION IN REENACTING

I am an atheist. Not a pagan. Not a Protestant. Not a Jew, a Muslim nor a Zoroastrian.

Yet in my Anglo-Scandinavian impression, I wear a religious pendant about my neck. I have bound many books that reprint Psalms, Gospels and Homilies. I have written my own homilies and compiled a harmony or two. I have carved and constructing crucifixes for hanging, preaching crosses and reliquaries (well, my wife does use one as a jewelry/spinning box 🙂 ). Many people who do not know my personal lack of beliefs might muse happily to themselves, What a good true Christian!

A contradiction?

Hardly. Reenacting is, more than anything else, acting. Guess what? I am not an Anglo-Scandinavian. You are not a fierce Viking warrior. The woman at the loom is not a Norse or Englisc good wife. It is called acting. Pretending. Asking the audience to join in on being deceived. It does not matter how ridiculous my behavior might be. It was what was believed and done at the time. It is part of an accurate portrayal of the time! And I am proud to do it!

It is one of the reasons that I came to despise the anti-religious aspect of a medievalesque LARP. They said it was so that it did not offend anyone; I was offended by the fact that tried to force farby impressions and actions. I act out religious motifs in Regia presentations and do many other things that would give vapors to that medievalesque LARP.

Religion was so very important to many cultures of the past. Throughout history, religion has been important. The number of cultures not shaped by religion—or by a militant reaction to religion—is few indeed. Yet, in much of living history, religion is neglected, misinterpreted and at times forbidden. However, if the purpose of living history is to provide a realistic view of everyday life—as I believe it is—then the neglect of religion is not merely a hindrance to understanding but in many cases actually serves to dis-educate both participants and spectators. They approach and react to what they see as the Past in a way that is false and misleading. Forbidding any attempt to present such an important aspect of their culture is akin to a command, “Be authentic…but not too authentic.” It is akin, in my mind, to teaching the nineteenth-century flat earth theory in a medieval culture!

For example, in Regia, we have priests, monks and nuns. They are not hidden, but no one is offended. They add to the medieval environment. And that is why I emphasis the importance of religion in reenacting. (I have concentrated here and at reenactments on the Christian religion. Almost nothing is known about Norse and Englisc pagan religions because Christian endeavors and censorship has been so successful. Most of what is “known” has actually been invented by modern pagans!)

The only thing that really concerned me when I started to incorporate religious actions and artefacts into reenactment was whether it would offend the genuinely religious. I made inquiries to many sources. Those who responded said, “As long as you are being honest and not making a burlesque of your presentation, I have no problem with it.” Now that is akin to a film or a teevee show where some actor is portraying a cleric when he is anything but. Only the most radical and extremist of religious zealots will object to this, or to a Jew portraying a Christian or anything else that they see in an orinary film or teevee presentation. For that same reason, a reenactment that presents an honest interpetation of a religious pratice should not be condemned.

Be honest. Do not be a burlesque. Try to present another aspect of everyday life. Have fun, and be accurate. Research to insure that accuracy might be as enjoyable as researching historical garments, researching common food of the time, research what kind of swo…well, not not if sharp and shiny and blingy things are your most important concerns because they are sharp and shiny and blingy! 🙂

If you are atheist, agnostic, Latter Day Saint, a Baptist, a Catholic or a pagan, that should not affect how you portray the past. You should do your best to portray the past as it was.

So sing a hymn (the earliest music for the middle ages that we know), crown or marry participants, hold masses, pray over your troops and hold a religious ceremony for your village (we do have written ceremonies from the time that show us exactly what to do), it is all part of accurately re-creating history!