TEXTILE PRODUCTION TERMS
The term comes from the Old English distæf “stick that holds flax for spinning,” and describes a holder for raw material that is being spun into thread or yarn. It is associated, as its current use indicates, with women.
Since the spinning wheel did not enter northern Europe until around 1280, thread and yarn was made with a drop spindle, in which a weight (whorl) at the end of a stick twisted the raw fiber. Whorls were metal, stone and sometimes beads, but wooden weights might well be a modern derivation since period examples have not been found. In addition, the whorls seemed to have been at the bottom, although modern crafts drop spindles often have them at the top. They were still being used by people too poor to have a wheel until at least the eighteenth century.
On warp-weighted looms, bundles of warp threads are tied to hanging weights called loom weights which keep the threads taut. They often looked like doughnuts and were made from clay or from stones.
A two-pronged tool used in cordmaking or braiding which is believed to date back to the Viking age, although this is controversial. Later and modern crafts lucets are often wood, though devices of the Viking age that are interpreted as lucets were made of bone.
A niddy-noddy is a wooden tool used to make skeins from yarn. It consists of a central bar, with crossbars at each end. Niddy-noddies of the Viking Age were generally flat, although at some later point, the ends are at ninety degree angles.
A process for creating fabric that in Danish literally means “binding with a needle” or “needle-binding,” it is also known as nälbinding, nålbinding and naalebinding. It predates both knitting and crochet and is done with one needle. It was warmer than knitting, and the Finns had a caustic saying that a man with knitted mittens had an unskilled wife (who was not good enough to do naalbinding).
An ancient method of constructing fabric that has a natural elasticity. Its appearance is similar to netting when pulled open, but the intersections are not knotted. Unlike whole cloth, sprang is constructed entirely from warp threads.. Its uses were limited, and there are few good examples of its use. It was in use as late as the eighteenth century to make sashes for military officers, and the sashes doubled as litters for the wounded.
Swifts are tools, generally wooden, used to hold a hank of yarn while it is being wound off. It has an adjustable diameter so that it can hold hanks of many sizes, and rotates around a central rod.
Tablet- or Card-Weaving
This is a weaving technique where tablets or cards are used to create the shed through which the weft is passed. The method makes narrow flat strips for ties or trim. Tablet-woven cords are used to begin the end of a piece of woven fabric. The so-called loom was merely a frame to the warp under tension, and could as easily be a chair, a tree or the weaver’s waist; the tablets were themselves the loom. A band of card-weaving is used to start the warp for the vertical warp-weighted loom; the weft of the card-weaving becomes the warp threads for whole cloth.
The vertical warp-weighted loom was the most common loom for the Viking age, although horizontal looms were beginning to come into use at the end of the era. The warp-weighted loom was a simple and ancient loom that is upright in which the warp yarns hang from a bar between the uprights. The inkle loom was invented later and introduced to America only in the twentieth century.
Weft & Warp
The weft threads are horizontal threads on a loom through vertical warp threads are passed to make cloth.
Combing is method to prepare a fiber for a spinning method. Combs were nails that arose and through which the fabric was pulled to arrange the fibers in a parallel fashion, to clean the fiber to an extent and to remove tangles and clumps (noils) as well as short fibers and stuff like vegetable matter. In the fourteenth century, wool combing was developed.
Many thanks to Julie Watkins, who reviewed and commented on this list.